For the artist at the end of the millennium, with his freedom of movement, to lie in ambush means taking up a position which forces him to confront a profound responsibility: to maintain a voice without necessarily evoking, to present a mood and avoiding its representation, to speak while remaining silent, to cross without being caught. In his vision his only betrayal lies in the fragility of waiting for the morning light, and the seduction of the night.
Maurizio Pellegrin
